Third
Sunday, October 14, 2007 7pm
Geffen Playhouse, Los Angeles
Saturday, October 20, 2007
The Quality of Life
The Quality of Life
Saturday, October 6, 2007 3:30pm
Audrey Skirball Theatre, Los Angeles
Saturday, October 6, 2007 3:30pm
Audrey Skirball Theatre, Los Angeles
Sunday, September 30, 2007
Monday, September 24, 2007
Clay
Clay
Sunday, September 23, 2007 6:30pm
Kirk Douglas Theatre, Culver City
I'll admit that I was a bit hesitant to see this production. I wasn't sure about what it was going to be and it definitely could go either way with this theatre. I've had some pretty boring experiences at the 'ol Kirk Douglas....remember the one about the painting of the people in the diner?? UGH!!
This show, however, was amazing. It was a one man show and he told the story of his parents getting a divorce, his mother committing suicide, his dad re-marrying, him finding someone to emulate and look after him who happens to be a rap star, and him having an affair with his father's wife. It all gets pretty messy, but the telling is so wonderful. He jumps around the story to the point where it's a flash-back. He mostly tells it as a rap. It's just amazing. Another article mentioned that this would be perfect for off-Broadway and I totally agree. I would love to see this guy go somewhere.
Sunday, September 23, 2007 6:30pm
Kirk Douglas Theatre, Culver City
I'll admit that I was a bit hesitant to see this production. I wasn't sure about what it was going to be and it definitely could go either way with this theatre. I've had some pretty boring experiences at the 'ol Kirk Douglas....remember the one about the painting of the people in the diner?? UGH!!
This show, however, was amazing. It was a one man show and he told the story of his parents getting a divorce, his mother committing suicide, his dad re-marrying, him finding someone to emulate and look after him who happens to be a rap star, and him having an affair with his father's wife. It all gets pretty messy, but the telling is so wonderful. He jumps around the story to the point where it's a flash-back. He mostly tells it as a rap. It's just amazing. Another article mentioned that this would be perfect for off-Broadway and I totally agree. I would love to see this guy go somewhere.
Avenue Q
Avenue Q
Saturday, September 15, 2007 8pm
Ahmanson Theatre, Los Angeles
This is the second time that I've seen this show. The first time was on Broadway with most of the original cast. John Tartaglia was the only one that had left.
This touring show did a great job. The lady that played Kate Monster really had the voice and everything down wonderfully. She was amazing. The guy who played Rod was a bit annoying, but ok. The other guy who did a lot of the voices and played Trekkie Monster was very good. Christmas Eve was a different stereo-type since she was skinny and the fat guy was way fatter than the original, but did a great job.
I'd recommend this show. There's nothing here that is too off from the original. It is what it is. Kind of a one-hit wonder. That's all that they need for Broadway, though.
Saturday, September 15, 2007 8pm
Ahmanson Theatre, Los Angeles
This is the second time that I've seen this show. The first time was on Broadway with most of the original cast. John Tartaglia was the only one that had left.
This touring show did a great job. The lady that played Kate Monster really had the voice and everything down wonderfully. She was amazing. The guy who played Rod was a bit annoying, but ok. The other guy who did a lot of the voices and played Trekkie Monster was very good. Christmas Eve was a different stereo-type since she was skinny and the fat guy was way fatter than the original, but did a great job.
I'd recommend this show. There's nothing here that is too off from the original. It is what it is. Kind of a one-hit wonder. That's all that they need for Broadway, though.
Falsettos
Falsettos
Saturday, September 8, 2007 8pm
Wilshire Theatre, Los Angeles
This show was a benefit for Actor's, I'm assuming in the LA area. It had some big names...Jason Alexander, John McDaniel at the piano, the guy from Caroline in the City, the lady from numerous TV shows who I can't remember her name off-hand. This is also supposed to be a pretty famous show from what I can tell of the folklore of theatre. I didn't even stay for the whole thing. There just didn't seem to be any story that was actually progressing. First off, this is the theatre where they shoot Last Comic Standing, so there were a bunch of TV cameras in the back of the balcony. My ticket put me smack dab behind these cameras. I told the usher and he just had me wait and then find my own seat once the show started. It wasn't hard since there were quite a few empty seats, but it's kind of annoying. Why did they issue me a seat behind the cut-off point?? No one else was sitting back there.
Then the show didn't start until almost 9 o'clock. Again...annoying! I understand it was a fund-raiser and they wanted to give people plenty of time to browse around the things they had up for auction, but come on...instill a little structure people.
I suppose if another production of this came around again I'd be willing to give it another shot, but it just wasn't wowing me that night. The fact that I was willing to just leave at the intermission says something because I'll usually give everything at least till the end. I don't have to like it, but I've spent the money and I want to see the show. Not this time.
Saturday, September 8, 2007 8pm
Wilshire Theatre, Los Angeles
This show was a benefit for Actor's, I'm assuming in the LA area. It had some big names...Jason Alexander, John McDaniel at the piano, the guy from Caroline in the City, the lady from numerous TV shows who I can't remember her name off-hand. This is also supposed to be a pretty famous show from what I can tell of the folklore of theatre. I didn't even stay for the whole thing. There just didn't seem to be any story that was actually progressing. First off, this is the theatre where they shoot Last Comic Standing, so there were a bunch of TV cameras in the back of the balcony. My ticket put me smack dab behind these cameras. I told the usher and he just had me wait and then find my own seat once the show started. It wasn't hard since there were quite a few empty seats, but it's kind of annoying. Why did they issue me a seat behind the cut-off point?? No one else was sitting back there.
Then the show didn't start until almost 9 o'clock. Again...annoying! I understand it was a fund-raiser and they wanted to give people plenty of time to browse around the things they had up for auction, but come on...instill a little structure people.
I suppose if another production of this came around again I'd be willing to give it another shot, but it just wasn't wowing me that night. The fact that I was willing to just leave at the intermission says something because I'll usually give everything at least till the end. I don't have to like it, but I've spent the money and I want to see the show. Not this time.
Monday, September 03, 2007
Matter of Honor
Matter of Honor
Thursday, August 30, 2007 8PM
Pasadena Playhouse
This was actually pretty riveting. It was kind of like CSI:Westpoint. The play was based on a true story of the first or second black man to attend the famous school. The actors did a very good job. I would recommend this production. That was the most special effects that I've seen at the Playhouse. It was impressive.
Thursday, August 30, 2007 8PM
Pasadena Playhouse
This was actually pretty riveting. It was kind of like CSI:Westpoint. The play was based on a true story of the first or second black man to attend the famous school. The actors did a very good job. I would recommend this production. That was the most special effects that I've seen at the Playhouse. It was impressive.
Wednesday, August 15, 2007
On Your Toes
On Your Toes
Tuesday, August 14, 2007 8PM
Freud Theatre, UCLA, Los Angeles
This was a fairly good production of a pretty dated musical. The plot centers around a music teacher who used to be a famous vaudville performer. He's trying to promote a new jazz ballet, falls in love with a student and a ballerina, becomes a target for the ballerina's boyfriend, and makes a fool out of himself onstage. The actor in the lead role, Jeffry Denman, is an amazing song-and-dance man. I saw him previously in White Christmas at the Pantages a couple years ago. He's extremely good and would be in demand if it was 50 years ago. He reminds you of Danny Kaye, in fact the resemblance is a little creepy.
The real standout was Yvette Tucker. She was amazing as Vera, the russian ballerina. Reading her bio it turns out that I've seen her previously in Can-Can in Pasadena and in The Merry Widow at the LA Opera. She was a real stand-out in this production, of course her character had all the drama and angst. She really played it up and was extremely believeable.
The student love-interest, who turns out to get the guy in the end, was played by Beth Malone. I've seen her previously in Sister Act at Pasadena. She has a nice voice and has some wonderful moments in this show, but is distractingly skinny. I normally wouldn't comment on a person's appearance, but it actually was distracting, which is what inspires me to comment when directing. Did it bug me???....then say something. Not that she will ever read this, but just a few pounds put on would fill out those costumes a bit more.
Dan Butler, the guy who played Bulldog on Frasier, was fine as the russian director, but this man should not have a solo. He was fine when singing with Stephanie Powers, but on his own it was hard to listen to. It could be written off as opening night jitters. Perhaps he'll relax into it and be more on pitch as the show runs.
Stephanie Powers was very good as the producer behind it all. She was great dancing and singing and acting. A true star. I can imagine that there really just aren't enough roles out there for her. This was a perfect fit.
Jason Alexander is the new artistic director for Reprise! According to his letter at the beginning of the program he has a lot of dreams and ideas to implement for this theatre company. He's probably attempting to make it a bit more like Encores! in New York. This is a transitional year as they decide where to go and how to get there. It could be very exciting.
Tuesday, August 14, 2007 8PM
Freud Theatre, UCLA, Los Angeles
This was a fairly good production of a pretty dated musical. The plot centers around a music teacher who used to be a famous vaudville performer. He's trying to promote a new jazz ballet, falls in love with a student and a ballerina, becomes a target for the ballerina's boyfriend, and makes a fool out of himself onstage. The actor in the lead role, Jeffry Denman, is an amazing song-and-dance man. I saw him previously in White Christmas at the Pantages a couple years ago. He's extremely good and would be in demand if it was 50 years ago. He reminds you of Danny Kaye, in fact the resemblance is a little creepy.
The real standout was Yvette Tucker. She was amazing as Vera, the russian ballerina. Reading her bio it turns out that I've seen her previously in Can-Can in Pasadena and in The Merry Widow at the LA Opera. She was a real stand-out in this production, of course her character had all the drama and angst. She really played it up and was extremely believeable.
The student love-interest, who turns out to get the guy in the end, was played by Beth Malone. I've seen her previously in Sister Act at Pasadena. She has a nice voice and has some wonderful moments in this show, but is distractingly skinny. I normally wouldn't comment on a person's appearance, but it actually was distracting, which is what inspires me to comment when directing. Did it bug me???....then say something. Not that she will ever read this, but just a few pounds put on would fill out those costumes a bit more.
Dan Butler, the guy who played Bulldog on Frasier, was fine as the russian director, but this man should not have a solo. He was fine when singing with Stephanie Powers, but on his own it was hard to listen to. It could be written off as opening night jitters. Perhaps he'll relax into it and be more on pitch as the show runs.
Stephanie Powers was very good as the producer behind it all. She was great dancing and singing and acting. A true star. I can imagine that there really just aren't enough roles out there for her. This was a perfect fit.
Jason Alexander is the new artistic director for Reprise! According to his letter at the beginning of the program he has a lot of dreams and ideas to implement for this theatre company. He's probably attempting to make it a bit more like Encores! in New York. This is a transitional year as they decide where to go and how to get there. It could be very exciting.
Saturday, August 11, 2007
Young Frankenstein
Young Frankenstein
Friday, August 10, 2007 8PM
Paramount Theatre, Seattle, WA
This show is a blockbuster in the making. It's based on the Mel Brooks' movie just as the previous production of The Producers. Mel is trying again and has lined up an extraordinary cast. Sutton Foster, Shuler Helmsley, Roger Bart, Andrea Martin, Christopher Fitzgerald, and especially Megan Mullally. That name will bring in throngs of Will & Grace fans, I'm sure. They're going to be blown away by her singing. She really steals the show.
There were a few noticeable glitches in the production. I saw some cheat-sheets on Sutton. It looked as if Roger didn't do some big lift-type move at the close of a number, and I'm sure that he also forgot a line during the secret passage routine.
I believe that this movie is way more popular than the Producers movie was. I had seen bits and pieces and recognized a few of the jokes which wasn't the case for Producers. I'm not sure if that's going to mean more or less of a success. Just getting to see these performers do their things is a privledge and by the time they get to Broadway I'm sure things will be a bit tighter and much more polished.
Now a word about stage-dooring.
I stood in line and bought a poster and t-shirt then proceeded outside in hopes of getting a few signatures on my program. They had set the barriers up really far away from the door and that gave the cast the opportunity to congregate and take off away from us. By us I mean about 15 people who were obviously fans. I saw Andrea Martin but would've had to yell to even try to get her attention. One of the other girls yelled out Sutton's name, but I didn't see her. Finally Megan Mullally came out and came over and signed autographs, took pictures, and was extremely sweet. She signed everything that people handed her and then got in her car and left. 10-15 minutes at the most. So, all these people have programs signed by Megan and no one else. Would it really have been that big of a deal?? Is it that much of an inconvenience to come out and be social with your fans?? I can understand that it can get old and perhaps some artists haven't figured out how to have uncrossable boundaries with people, but still...it just feels rude. Well, that's my two cents.
Friday, August 10, 2007 8PM
Paramount Theatre, Seattle, WA
This show is a blockbuster in the making. It's based on the Mel Brooks' movie just as the previous production of The Producers. Mel is trying again and has lined up an extraordinary cast. Sutton Foster, Shuler Helmsley, Roger Bart, Andrea Martin, Christopher Fitzgerald, and especially Megan Mullally. That name will bring in throngs of Will & Grace fans, I'm sure. They're going to be blown away by her singing. She really steals the show.
There were a few noticeable glitches in the production. I saw some cheat-sheets on Sutton. It looked as if Roger didn't do some big lift-type move at the close of a number, and I'm sure that he also forgot a line during the secret passage routine.
I believe that this movie is way more popular than the Producers movie was. I had seen bits and pieces and recognized a few of the jokes which wasn't the case for Producers. I'm not sure if that's going to mean more or less of a success. Just getting to see these performers do their things is a privledge and by the time they get to Broadway I'm sure things will be a bit tighter and much more polished.
Now a word about stage-dooring.
I stood in line and bought a poster and t-shirt then proceeded outside in hopes of getting a few signatures on my program. They had set the barriers up really far away from the door and that gave the cast the opportunity to congregate and take off away from us. By us I mean about 15 people who were obviously fans. I saw Andrea Martin but would've had to yell to even try to get her attention. One of the other girls yelled out Sutton's name, but I didn't see her. Finally Megan Mullally came out and came over and signed autographs, took pictures, and was extremely sweet. She signed everything that people handed her and then got in her car and left. 10-15 minutes at the most. So, all these people have programs signed by Megan and no one else. Would it really have been that big of a deal?? Is it that much of an inconvenience to come out and be social with your fans?? I can understand that it can get old and perhaps some artists haven't figured out how to have uncrossable boundaries with people, but still...it just feels rude. Well, that's my two cents.
A Prayer for the Enemy
A Prayer for the Enemy
Thursday, August 9, 2007 7:30pm
Intiman Theatre, Seattle, WA
What an extremely powerful play. It takes place in a pretty normal household. Father's an alcoholic, mother is clueless, sister gets knocked up and brother is a closeted homo who decides to join the armed forces and go to Iraq in order to make his father proud of him....it doesn't work.
The technique used has each character talking to the audience and proclaiming what they're really thinking as opposed to what they are actually saying. It's quite moving.
Thursday, August 9, 2007 7:30pm
Intiman Theatre, Seattle, WA
What an extremely powerful play. It takes place in a pretty normal household. Father's an alcoholic, mother is clueless, sister gets knocked up and brother is a closeted homo who decides to join the armed forces and go to Iraq in order to make his father proud of him....it doesn't work.The technique used has each character talking to the audience and proclaiming what they're really thinking as opposed to what they are actually saying. It's quite moving.
Wednesday, August 08, 2007
Wicked
Wicked
Tuesday, August 7, 2007 8pm
Pantages, Los Angeles
This was the third time that I've seen a production of Wicked. First was on Broadway, original cast, second was here at the Pantages, but Eden Espinosa and Carol Kane were both out. I did see Megan Hilty though, and the seat was awesome, down on the floor only a few rows back!!
This time Megan Hilty was out but Eden and Carol were in. Yeesh, I can't seem to get them all there at the same time. Anyway, it was AMAZING!! Eden Espinosa blew Idina Menzel out of the water. She had every note and threw in some extra stuff that was just terrific. My seat was in the last row of the balcony. I was on the isle in the center, but was in the very last row. The place was packed. I can't believe that it is still selling out that theatre, even on a Tuesday.
I may need to go again before school starts. The ideal would be to see these two women at the same time. Perhaps Tuesday isn't the best choice for that. I'll try a Friday or Saturday....it's just so expensive.
Tuesday, August 7, 2007 8pm
Pantages, Los Angeles
This was the third time that I've seen a production of Wicked. First was on Broadway, original cast, second was here at the Pantages, but Eden Espinosa and Carol Kane were both out. I did see Megan Hilty though, and the seat was awesome, down on the floor only a few rows back!!
This time Megan Hilty was out but Eden and Carol were in. Yeesh, I can't seem to get them all there at the same time. Anyway, it was AMAZING!! Eden Espinosa blew Idina Menzel out of the water. She had every note and threw in some extra stuff that was just terrific. My seat was in the last row of the balcony. I was on the isle in the center, but was in the very last row. The place was packed. I can't believe that it is still selling out that theatre, even on a Tuesday.
I may need to go again before school starts. The ideal would be to see these two women at the same time. Perhaps Tuesday isn't the best choice for that. I'll try a Friday or Saturday....it's just so expensive.
Wednesday, August 01, 2007
Jersey Boys
Jersey Boys
Tuesday, July 31, 2007 8pm
Ahmanson Theatre, Los Angeles
This is the second time that I've seen this production. I should go back and look in the programs to see if there's any difference in the cast. My seat was way in the absolute last row, which is fine since I only paid $20 for the ticket. I think the guy who plays the bass player was different than the guy I saw the first time. He was a better actor, but not as good a singer.
Anyway, the show is still phenominal. The pacing and the energy is just fun. The story is also captivating. It's just interesting since there's this truth to it. That is what that Bob Dillan musical was missing. The story was just too off the wall.
Tuesday, July 31, 2007 8pm
Ahmanson Theatre, Los Angeles
This is the second time that I've seen this production. I should go back and look in the programs to see if there's any difference in the cast. My seat was way in the absolute last row, which is fine since I only paid $20 for the ticket. I think the guy who plays the bass player was different than the guy I saw the first time. He was a better actor, but not as good a singer.
Anyway, the show is still phenominal. The pacing and the energy is just fun. The story is also captivating. It's just interesting since there's this truth to it. That is what that Bob Dillan musical was missing. The story was just too off the wall.
Monday, July 23, 2007
Come Back Little Sheba
Come Back Little Sheba
Sunday, July 22, 2007 7pm
Kirk Douglas, Culver City
Ok, I have to give you more information than just the titles and dates of the shows I'm seeing.
This was actually an extremely good play. It was about this lady who was married to an alcoholic. They rent a room to a college girl who has a model boyfriend. The husband is attracted to this girl and when she's at the end of her semester and it looks like she'll be leaving, he falls off the wagon and attacks his wife.
It's kind of a day in the life, so it moves along pretty slow and simply.
The wife was the lady from Law & Order. She's a very good actress.
My seat was up on the ledge in the back, so when they were stage left I had to kind of lean over the banister to try to see.
I just did a little research as I was looking for some pictures and it turns out that there's a 1952 version of this story that they made a movie out of. Perhaps it's a play that's been around for a while. It just started out slow and all of a sudden in the second act there's quite a violent interaction.
Sunday, July 22, 2007 7pm
Kirk Douglas, Culver City
Ok, I have to give you more information than just the titles and dates of the shows I'm seeing.
This was actually an extremely good play. It was about this lady who was married to an alcoholic. They rent a room to a college girl who has a model boyfriend. The husband is attracted to this girl and when she's at the end of her semester and it looks like she'll be leaving, he falls off the wagon and attacks his wife.
It's kind of a day in the life, so it moves along pretty slow and simply.
The wife was the lady from Law & Order. She's a very good actress.
My seat was up on the ledge in the back, so when they were stage left I had to kind of lean over the banister to try to see.
I just did a little research as I was looking for some pictures and it turns out that there's a 1952 version of this story that they made a movie out of. Perhaps it's a play that's been around for a while. It just started out slow and all of a sudden in the second act there's quite a violent interaction.
Saturday, July 21, 2007
Hay Fever
Hay Fever
Friday, July 20, 2007 8pm
Old Globe Theatre, San Diego
This was a pretty good play. It's about a family of four - Father, Mother, Sister, Brother. They live out in the Hamptons or something like that. Anyway, they all accidently invite people to stay the weekend without informing the other members of the family. So, it turns out that there are eight people in the house when everyone thought that there would just be four. Everyone switches friends too, as the play goes on.
The story itself is kind of simple and dated. The actors did a good job, but I felt bad for them because the theatre was quite empty. My seat was at the far end of the front row of the balcony and I was able to move center with no problem or hindrance.
'Hay Fever is one of the most popular and hilarious comedies of all time, by the master of style and wit, Noel Coward.' I pulled that from the the Goldstar website.
Friday, July 20, 2007 8pm
Old Globe Theatre, San Diego
This was a pretty good play. It's about a family of four - Father, Mother, Sister, Brother. They live out in the Hamptons or something like that. Anyway, they all accidently invite people to stay the weekend without informing the other members of the family. So, it turns out that there are eight people in the house when everyone thought that there would just be four. Everyone switches friends too, as the play goes on.
The story itself is kind of simple and dated. The actors did a good job, but I felt bad for them because the theatre was quite empty. My seat was at the far end of the front row of the balcony and I was able to move center with no problem or hindrance.
'Hay Fever is one of the most popular and hilarious comedies of all time, by the master of style and wit, Noel Coward.' I pulled that from the the Goldstar website.
Can-Can
Can-Can
Thursday, July 19, 2007 8pm
Pasadena Playhouse, Pasadena
This was a good show. The music was classic but I believe they updated the book for this production. I haven't seen the movie or a previous production, so I'm not sure.
They incorporated the audience as they treated us as if we'd come to see the show in the show. It's Cole Porter at it's best with all the fun songs and lyrics. They asked the audience for suggestions for them to incorporate into the title song. It was very fun.
Thursday, July 19, 2007 8pm
Pasadena Playhouse, Pasadena
This was a good show. The music was classic but I believe they updated the book for this production. I haven't seen the movie or a previous production, so I'm not sure.
They incorporated the audience as they treated us as if we'd come to see the show in the show. It's Cole Porter at it's best with all the fun songs and lyrics. They asked the audience for suggestions for them to incorporate into the title song. It was very fun.
Sunday, June 17, 2007
Wicked
Wicked
Thursday, June 14, 2007 8PM
Pantages Theatre, Los Angeles
I finally made it over to the Pantages to see the LA production of Wicked. My seat was wonderful!!! Down on the floor towards the right. I love being able to see the performers' expressions as they're speaking and singing.
Eden Espinosa and Carol Kane were both out. I was so bummed!! At least Megan Hilty was in. They must coordinate between themselves so that not all of the leads are out on the same night. Megan was great. Her voice was right on and her character was hilarious. She had the perfect attitude and seemed like she really enjoyed this role.
The girl who replaced Eden, Courtney Corey, did a great job. I was totally impressed and it didn't feel like she was nervous or worried about it at all. I guess that's why they get the big bucks. She was the understudy though. I wonder why the standby didn't do it. oh well.
Thursday, June 14, 2007 8PM
Pantages Theatre, Los Angeles
I finally made it over to the Pantages to see the LA production of Wicked. My seat was wonderful!!! Down on the floor towards the right. I love being able to see the performers' expressions as they're speaking and singing.
Eden Espinosa and Carol Kane were both out. I was so bummed!! At least Megan Hilty was in. They must coordinate between themselves so that not all of the leads are out on the same night. Megan was great. Her voice was right on and her character was hilarious. She had the perfect attitude and seemed like she really enjoyed this role.
The girl who replaced Eden, Courtney Corey, did a great job. I was totally impressed and it didn't feel like she was nervous or worried about it at all. I guess that's why they get the big bucks. She was the understudy though. I wonder why the standby didn't do it. oh well.
Tuesday, June 12, 2007
Sunday, June 03, 2007
The 25th Annual Putnam County Spelling Bee
The 25th Annual Putnam County Spelling Bee
Thursday, May 31, 2007 8PM
Wadsworth Theatre, Los Angeles
Thursday, May 31, 2007 8PM
Wadsworth Theatre, Los Angeles
Monday, May 28, 2007
The 25th Annual Putnam County Spelling Bee
The 25th Annual Putnam County Spelling Bee
Sunday, May 27, 6:30PM
Wadsworth Theatre, Los Angeles
Sunday, May 27, 6:30PM
Wadsworth Theatre, Los Angeles
Sunday, April 15, 2007
Sleeping Beauty Wakes
Sleeping Beauty Wakes
Saturday, April 14, 2007 8pm
Kirk Douglas Theatre, Culver City
Saturday, April 14, 2007 8pm
Kirk Douglas Theatre, Culver City
Thoroughly Modern Millie
Thoroughly Modern Millie
Saturday, April 14, 2007 2pm
McGowen Theatre, UCLA, Los Angeles
Saturday, April 14, 2007 2pm
McGowen Theatre, UCLA, Los Angeles
Tuesday, April 03, 2007
Saturday, March 24, 2007
Who's Afraid of Virginia Woolf
Who's Afraid of Virginia Woolf
Saturday, March 3, 2007, 2PM
Ahmanson Theatre, Los Angeles
Saturday, March 3, 2007, 2PM
Ahmanson Theatre, Los Angeles
Legally Blonde
Legally Blonde
Saturday, February, 24, 2007, 2PM
The Golden Gate Theatre, San Francisco
Saturday, February, 24, 2007, 2PM
The Golden Gate Theatre, San Francisco
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